6 February 2026

Grammys 2026: The key winners and highlights from Los Angeles

Lola Kadas in Budapest, Hungary

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British singer Olivia Dean won Best New Artist at the 2026 Grammy Awards.

The 68th Grammy Awardsreturned to Los Angeles on Sunday night, transforming the Crypto.com Arena into a mix of celebration, historic wins,emotional tributes, bold fashion and unscripted moments.

Hosted for the sixth consecutive year by Trevor Noah,the ceremony handed out 95 awards across genres. Beyond the awards themselves, artists used the stage to criticise US immigration policy, while many performances leaned noticeably low-key.

‘Big four’ awards

In the most prestigious categories, Latin music, alternative pop and R&B shared the spotlight.

Bad Bunny took home Album of the Year for Debí tirar más fotos (I Should Have Taken More Photos), while Song of the Year went to Billie Eilish and Finneas for ‘Wildflower’.

Record of the Year was awarded to Kendrick Lamar and SZA for their collaboration Luther, and Best New Artist went to British soul singer Olivia Dean.

Elsewhere in the pop and dance fields, trophies went to Lady Gaga, Australia’s Tame Impala, FKA twigs, Icelandic singer Laufey and rising British artist Lola Young.

Immigration politics take centre stage

For several artists, the stage doubled as a political platform. Accepting Album of the Year, Bad Bunny opened bluntly: “Before I thank God, I want to say: ICE out!”

“We’re not savages, we’re not animals, we’re not aliens. We are human beings, and we are Americans,” he said, criticising the US Immigration and Customs Enforcement agency.

Billie Eilish echoed the sentiment while accepting Song of the Year, declaring: “No one is illegal on stolen land,” a reference to Indigenous displacement in the US.

Earlier in the night, Trevor Noah jokingly asked if he could relocate to Puerto Rico if conditions in the US worsened. Bad Bunny replied: “Puerto Rico is part of America”, prompting applause.

Several stars wore ‘ICE Out’ badges on the red carpet, including Justin Bieber, Hailey Bieber and Joni Mitchell, while performers such as Kehlani and Gloria Estefan voiced support for immigrant communities.

Big names, smaller energy

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Lady Gaga arriving at the 2025 Grammy Awards, February 2025.

The night featured high-profile sets from Gaga, Rosé alongside Bruno Mars, Sabrina Carpenter, and Tyler, The Creator, plus a tribute to Ozzy Osbourneled by Post Malone.

Yet despite the star power, many performancesfelt rushed and lacked the spectacle typically associated with the Grammys. This was particularly true for sets from the Best New Artist nominees, which some viewers described as surprisingly low-key.

While many acts leaned on spectacle, Justin Bieberwent the opposite direction, offering a quiet, stripped-back performance that felt closer to a bedroom session than an arena show.

Fashion: black suits and ‘naked dresses’

On the red carpet, two trends dominated: restraint and revelation.

Many male artists opted for classic black tailoring, with few risks beyond the occasional statement jacket. In contrast, several women embraced sheer fabrics and “naked dresses”, continuing the barely-there couture trend that has come to define recent awards seasons.

Singer Chappell Roan drew particular attention with an avant-garde look that quickly became one of the most discussed outfits of the night.

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A divided night

If the Grammys aim to balance spectacle with cultural relevance, this year’s ceremony certainly delivered the latter. Political statements and social commentary felt urgent and authentic but, musically, the show sometimes struggled to match its own expectations. The result was a night that felt historic in message, if not always memorable in performance.

Written by:

Lola Kadas

Editor-in-Chief 2026

Budapest, Hungary

Lola Kadas joined Harbingers’ Magazine in the summer of 2024 as a contributor during the Oxford pop-up newsroom. After completing the newsroom and writing course, she became a staff writer later that autumn, covering society and public affairs.

Her strong writing and dedication to the magazine led to her appointment as Society Section Editor in 2025. During this time, she also reported from Bali, Indonesia, where she worked on a special project exploring the local mental health landscape and produced a series of thought-provoking articles.

Following a successful year in that role, and in recognition of her steady development and commitment, Lola stepped into the role of Editor-in-Chief in 2026, sharing the position with Arnav Maheshwari.

This will mark the first time the magazine is led by joint Editors-in-Chief, reflecting the growing scope and ambition of the publication. In her new role, Lola will also introduce a fact-checking system to further strengthen the magazine’s editorial standards.

Born in 2009, Lola has lived in both Budapest, Hungary, and California, United States. She is interested in music, pop culture, politics and mental health. She speaks English, Hungarian, French and Spanish.

In her free time, she enjoys going to concerts and creating studio art, and is a fan of Taylor Swift’s music.

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